Mustafa Ali مصطفى علي
Discover the Sculptural Odyssey of Mustafa Ali
Syrian visual artist Mustafa Ali is a sculptor at the core, whose artistic journey began amidst the ancient echoes of Ugarit (modern-day Ras Shamrah). Here, he discovered a profound connection with Phoenician culture, viewing it as an extension of his own identity. Venturing further, he immersed himself in the world of the Etruscans, captivated by their spiritual approach to sculpture, which left an indelible mark on his artistic vision.
At the heart of Mustafa Ali's work lies a deep contemplation of humanity and existence. Through the medium of sculpture, he explores the interplay between movement and stillness, perpetuity, and transience. His profound understanding of the Thamud people's perspective on death, where it symbolizes immortality rather than finality, adds layers of depth to his artistry.
A true master of his craft, Mustafa Ali pushes the boundaries of creativity across a myriad of materials. From clay to bronze, wood to iron, and beyond, each material serves as a canvas for his boundless imagination. He believes in the necessity of exploring new materials and techniques, constantly renewing his artistic expression.
Born in Latakia in 1956, Mustafa Ali's artistic journey led him to graduate from the sculpture department at the Faculty of Fine Arts, before further honing his skills at the Academy of Fine Arts in Italy.
His sculptures adorn museums throughout Syria and the Arab world, a testament to his enduring legacy. He has held numerous solo exhibitions both locally and internationally, captivating audiences with his innovative approach to sculptural storytelling.
Mustafa Ali's contributions to the art world have been recognized on a global scale. Awards such as the bronze award at the Sharjah Biennial and the gold award at the Latakia Biennial attest to his artistic prowess. Notably, he was honored with the Arab World Institute Award in Paris for his monumental sculpture spanning an impressive 36 square meters. In 2007, Arabian Business magazine bestowed upon him the title of one of the top 100 Arab personalities of the year.
BIOGRAPHY
Mustafa Ali, born in Latakia in 1956, embarked on his artistic journey at the sculpture department of the Faculty of Fine Arts. He furthered his studies at the prestigious Academy of Fine Arts in Italy. His sculptures are housed in museums across Syria and the Arab world, and he has showcased his work in numerous solo exhibitions both domestically and internationally. Mustafa Ali's contributions to the art world have been celebrated with awards such as the bronze award at the Sharjah Biennial and the gold award at the Latakia Biennial. Additionally, he was honored with the Arab World Institute Award in Paris for his monumental sculpture. In 2007, Arabian Business magazine recognized him as one of the top 100 Arab personalities of the year.
EDUCATION
BFA, Faculty of Fine Arts, Carrara, Italy (1996)
BFA, Faculty of Fine Arts, University of Damascus, Syria, with an excellence degree (1979)
Graduate of the Applied Arts Center, Syrian Ministry of Culture (1977)
Graduate of the Plastic Arts Center, Syrian Ministry of Culture (1974)
EXHIBITIONS (selection)
Solo Exhibitions
2024 “Mustafa Ali - Retrospective”, Mission art Gallery, Beirut, Lebanon.
2015 "L'Echo du Chaos" associated with UMAM, Gallery Mark Hachem, Beirut, Lebanon.
2011 Ayyam Gallery, Damascus, Syria.
2003 Kawaf Gallery, Aleppo, Syria.
Al Qabbani Theatre, Damascus, Syria.
2000 Fayrouz Gallery, Manama, Bahrain.
1999 Shoura Gallery, Damascus, Syria.
1998 Alice Mogabgab Gallery, Beirut, Lebanon.
1996 Baladna Art Gallery, Amman, Jordan.
1995 Alice Mogabgab Gallery, Beirut, Lebanon.
1993 Baladna Art Gallery, Amman, Jordan.
1988 Ashtar Gallery, Damascus, Syria.
Group Exhibitions
2013 Exhibition with Farouk Guendakja, Jeddah, KSA.
2011 Exhibition with Nazir Ismail, Doha, Qatar.
2009 The Syrian National Museum, Damascus, Syria.
2007 Graz, Vienna, Austria.
2007 Europe Art Exhibition, Geneva, Switzerland.
2005 Dual exhibition with Abdul Latif Al Smoud, Majlis Gallery, Dubai, UAE.
2004 Arab World Festival, Montreal, Canada.
2004 Syrian Cultural Week, London, UK.
2002 Art SUD Exhibition, Paris, France.
1998 Exhibition with Fateh Al Moudarres and Drouyer at Ashtar Gallery, Damascus, Syria.
1997 Dual exhibition with Moroccan artist Abdul Latif Al Smoudi, Casablanca, Morocco.
1996 Majlis Gallery, Dubaï, UAE.
1992 La Sponda Gallery, Rome, Italy.
Art Fairs
2010 Dialogue between Generations Sculpture Symposium, Damascus, Syria.
2009 Beijing Biennale, Beijing, China.
2006 International Sculpture Symposium, Amman, Jordan.
2005 Imagine the Book Biennale, Alexandria, Egypt.
2001 International Sculpture Symposium, Valencia, Spain.
1998 Sharjah Biennale, UAE.
1996 Cairo Biennale, Egypt.
1994 Alexandria Biennale, Egypt.
1994 The First International Sculpture Symposium in Rashana, Lebanon.
1993 International Sculpture Symposium in the Open Air, Berlin, Germany.
Fall from the Top, 2007, wood and bronze, H68cm W30cm D27cm, (H26.7in W11.8in D10.6in), MissionArt, Beirut.
Untitled, 2005, carved wood, H37cm W15cm D20cm (H14.5in W5.9in D7.9in), Mission Art, Beirut.
Dialogue, 2008, bronze, edition of 8, H 32cm W 14cm D 14cm, (12.6in x 5.5in x 5.5in), Mission Art, Beirut.
Jabr ALWAN جبر علوان
Exploring the Artistic Journey of Jaber Alwan
Born in the ancient cradle of civilization, Babylon, Iraq, in 1948, Jaber Alwan's artistic path began to unfold at the Institute of Fine Arts in Baghdad, where he graduated in 1970.
In pursuit of higher artistic horizons, Alwan ventured to Italy in 1972, immersing himself in the vibrant cultural milieu of Rome at the Academy of Fine Arts. Under the tutelage of the esteemed Italian sculptor Emilio Greco, he graduated from the Sculpture department in 1975, followed by a triumphant graduation from the Painting department in 1978.
Exiled from his homeland, Alwan found solace and inspiration in the eternal city of Rome, where his artistic prowess flourished. In 1985, the Municipality of Rome bestowed upon him the prestigious title of Best Artist, a historic accolade marking him as the first foreign artist to receive such recognition.
Alwan's artistic legacy extends far beyond the borders of Italy, with his works gracing esteemed public and private collections worldwide. From the Museums of Modern Art in Baghdad and Kuwait to the Arab Museum of Modern Art in Qatar and beyond, his sculptures and paintings resonate with audiences across continents.
Among the distinguished collections that house his creations are the Dubai Collection in the UAE, The Atassi Foundation in the UAE, the Museum of Modern Art in Damascus, Syria, the Sharjah Art Museum in the UAE, the Cairo Opera House in Egypt, the Gulbenkian Museum in Lisbon, Portugal, and The Jalambo Collection.
Today, Jaber Alwan continues to sculpt and paint in the enchanting streets of Rome, Italy, where his artistic spirit finds its eternal muse.
SOLO SHOWS (selection)
2022 – Solitude, Mysr Gallery, Cairo, Egypt.
2006 – Dar Al Anda, Jordan.
2005 – Museum of Art of Kuwait, Kuwait.
2004 – Al-Marsa Gallery, Tunis.
2003 – Al-Mada Gallery, Beirut, Lebanon
2002 – M-Art Gallery, Vienna, Austria
2001 – M-Art Gallery, Vienna, Austria.
2000 – Green Art Gallery, Dubai, UAE.
untitled, 2012, acrylic on canvas, 140 cm x 150 cm (55.1 in x 59 in), Mission Art, Beirut.
untitled, 2012, acrylic on canvas, 140 cm x 60 cm (55.1 in x 23.6 in), Mission Art, Beirut.
Maria ARIDA ماريا عريضة
A Palette of Dreams Unveiled
Maria Arida's story begins in the tumultuous backdrop of Beirut in 1967. A child of the civil war, she sought refuge with her family in the enchanting streets of Paris, France, where she blossomed and pursued her studies.
In 1990, Maria's creative journey took a decisive turn as she graduated from ESMOD Paris, triumphantly clinching victory in a prestigious competition. This milestone marked the inception of her career as a fashion designer and stylist, igniting her passion for the world of design and creativity.
Yet, for Maria Arida, creativity knows no bounds. Drawn by the allure of colors and shapes, she found herself captivated by the timeless works of Cezanne, prompting her to embark on a journey into the realm of painting.
In November 2022, Maria Arida unveiled her artistic vision to the world through her first solo exhibition at Mission Art. Here, amidst the vibrant tapestry of colors and shapes, she invited audiences to immerse themselves in her unique perspective, woven with echoes of her past and dreams for the future.
Raisins Enchantés I, 2018, mixed media on canvas, 97 cm x 97 cm (38.2 in x 38.2 in), Beirut.
Raisins Enchantés II, 2018, mixed media on canvas, 97 cm x 97 cm (38.2 in x 38.2 in), Beirut.
Raisins Rouges, 2018, mixed media on canvas, 50 cm x 22 cm (19.7 in x 8.7 in), Beirut.
Raisins Verts, 2018, mixed media on canvas, 50 cm x 22 cm (19.7 in x 8.7 in), Beirut.
Christoff BARON
Exploring the Artistry of Christoff Baron
Born in June 1972 in Blanc-Mesnil, France, Christoff Baron finds his creative haven in the picturesque city of Strasbourg, France.
Christoff's canvas isn't conventional; he breathes life into discarded scaffolding boards, each bearing the marks of its previous life on construction sites. With meticulous attention, he harnesses the raw textures and imprints left by builders, transforming them into evocative works of art.
In his artistic odyssey, Christoff delves into the realms of cinema and literature, weaving a tapestry of inspiration drawn from the works of filmmakers and writers such as Shakespeare, Sydney Lumet, Dostoevsky, and Buzzati. His exhibitions serve as a rendezvous between disparate disciplines, forging connections where none seemed apparent.
At the heart of Christoff's creations lies the interplay between industry and art, the rough and the painted, anonymity and signature, randomness and control. Each piece is a testament to his mastery in navigating the delicate balance between chaos and order, elevating the mundane to the realm of the extraordinary.
Beyond his prowess as an artist, Christoff Baron's talents extend to the realm of comic strips, where he effortlessly blends illustration with storytelling, captivating audiences with his unique narrative voice.
Les Grandes Gueules, 2020, acrylic on recycled wood, set of 6, each 200 x 24 thickness 4.5 cm (78.7 in x 9.4 in thickness 1.8 in), Mission Art, Beirut.
La Corniche (detail of a triptych), 2020, acrylic on wood, 40 cm x 120 cm (15.7 in x 47.3 in), Mission Art, Beirut.
La Corniche (detail of a triptych), 2020, acrylic on recycled wood, 40 cm x 120 cm (15.7 in x 47.3 in), Mission Art, Beirut.
La Corniche, triptych, 2020, acrylic on recycled wood, 40 cm x 120 cm (15.7 in x 47.3 in), Mission Art, Beirut.
Bente CHRISTENSEN-ERNST
A Brush with Truth and Symbolism
Born in Denmark in 1941, Bente Christensen-Ernst's journey as an artist began as a self-taught enthusiast, guided solely by her innate passion and boundless creativity.
A distinguished member of the Danish Society of Artists under the Royal Academy of Denmark and the Billedkunstnernes Forbund, the Association of Visual Artists, Bente's artistic endeavors are deeply rooted in a rich tapestry of tradition and innovation.
Bente's artistic pilgrimage took her to the enchanting landscapes of Turkey, where she embarked on her creative odyssey. Today, she divides her time between Turkey and Denmark, drawing inspiration from the juxtaposition of diverse cultures and landscapes.
In her paintings, Bente's distinctive hyper-realistic style confronts the viewer with unyielding clarity. Her monumental, vibrant images exude a palpable intensity, inviting viewers to immerse themselves in the raw emotions and dramatic narratives that pulse through each stroke.
Through her art, Bente navigates the intricate interplay between truthfulness and symbolism, seamlessly weaving personal narratives with universal themes of human suffering and resilience. Her works serve as a poignant reminder of the profound beauty and complexity of the human experience.
Bente's artistic vision has transcended geographical boundaries, with exhibitions gracing art fairs and biennales across the globe. From the bustling streets of New York to the cultural epicenters of Europe and beyond, her paintings have captivated audiences with their arresting imagery and thought-provoking narratives.
SOLO SHOWS (Selection)
2023 Urbanist Art Gallery, Dubai, UAE
2023 Mission Art, Beirut, Lebanon
2021 Galeri Siyah Beyaz, Ankara, Turkey
2019 Gallery Dar al-Anda. Amman, Jordan
2015 Gallery Oxholm, Copenhagen, Denmark
2014 Gallery Artifact, East Village, Manhattan, New York, U.S.
2012 Galerie Wolfsen, Aalborg, Denmark
2011 Art House, Damascus, Syria
2010 Görüntü Sanat Galerisi, Adana, Turkey
2009 Galerie Wolfsen, Aalborg, Denmark
2007 C.A.M. - Contemporary Art Marketing, Istanbul, Turkey
2005 C.A.M. - Contemporary Art Marketing, Istanbul, Turkey
2004 C.A.M. - Contemporary Art Marketing, Istanbul, Turkey
2003 Christian Dam Galleries, Copenhagen, Denmark
2002 Millî Reasürans Sanat Galerisi, Istanbul, Turkey
2001 C.A.M Contemporary Art Marketing, Istanbul, Turkey
2000 C.A.M. Contemporary Art Marketing, Istanbul, Turkey
1999 Christian Dam Galleries, Copenhagen, Denmark
1998 Galerie Wolfsen, Aalborg, Denmark
1997 Asmalımescit Sanat Galerisi, Istanbul, Turkey
1996 Gallerihuset, Copenhagen, Denmark
1995 Galleri C, Aarhus, Denmark
1994 Galleri Wolfsen, Aalborg, Denmark
1992 Gallerihuset, Copenhagen, Denmark
1990 Galleri Sommersko, Copenhagen, Denmark
1985 Galeri Siyah Beyaz, Ankara, Turkey
1984 Studyo Fabrika, Ankara, Turkey
MUSEUMS
• The National Gallery on Frederiksborg, Denmark (with a portrait of the Danish poet Henrik Nordbrandt)
Joy, 2022, oil on canvas, 140 cm x 140 cm (55.1 in x 55.1 in), Urbanist Gallery, Dubai.
The Young Bride, 2010, oil on canvas, 120 cm x 120 cm (47.3 in x 47.3 in), Urbanist Gallery, Dubai.
Arsuz II, 2022, oil on canvas, 90 x 90 cm (35.4 in x 35.4 in), Mission Art, Beirut.
Hala DABAJI هلا دبجي
Embarking on the Artistic Voyage of Hala Dabaji
Born in 1981 amidst the turmoil of Beirut, Hala Dabaji's childhood unfolded against the backdrop of the Lebanese Civil War. Raised in the vibrant tapestry of Ngaoundéré, Cameroon, she found solace and inspiration amidst the chaos of her surroundings.
Today, Hala resides in her beloved Beirut, a city that pulses with the heartbeat of her artistic soul. Armed with a master's degree in fine arts from the esteemed ALBA (Académie Libanaise des Beaux-Arts), she channels her experiences and emotions into a diverse array of artistic expressions.
Hala's creative ethos embraces spontaneity, eschewing the constraints of conventional mediums and materials. With a playful spirit and boundless imagination, she traverses the realms of painting, sculpture, and beyond, allowing her artistry to unfurl organically with each stroke and gesture.
In a world marked by complexity and uncertainty, Hala finds beauty in the simplicity of modest materials. Her creations transcend the boundaries of traditional mediums, embodying a sense of freedom and fluidity that resonates with the essence of her being.
Through her art, Hala invites viewers to embark on a journey of exploration and discovery, where spontaneity reigns supreme and every creation is a testament to the limitless potential of the human spirit.
Blanc, 2019, mixed media on fabric, 120 cm x 80 cm (47.2 in x 31.4 in), Mission Art, Beirut.
The Forest III, 2019, mixed media on fabric, 150x200cm (59 in x 78.7 in), Mission Art, Beirut.
Cats Can See Ghosts, 2016, acrylic on canvas, 100x100cm (39.3 in x 39.3 in), Mission Art, Beirut.
Adel DAUOOD عادل داوود
Adel Dauood: Conjuring Realities in Color and Form
Born in 1980, Adel Dauood emerges as a luminary in the Syrian art scene, seamlessly weaving between abstraction and concreteness, expressionism and surrealism, and a symphony of colors.
In the intimate world of his small-format paper works, fantastical creatures come to life. With their long, entwined legs, pointed teeth, and myriad eyes and udders, they inhabit the textured paper planes, simultaneously dangerous and inviting.
Yet, the confines of ink or charcoal on paper no longer suffice. "They need more space and color," Dauood muses. And so, they break free, transcending onto the expansive canvas of his large-sized, vibrant oil and acrylic paintings.
Dauood's creations transcend mere portraits of concrete individuals. Instead, they delve into the depths of human nature and humanity itself, each stroke an ode to felt, sensed, lived, and imagined lives. As he paints, he dances with his subjects, burning the midnight oil in a harmonious symphony of creation.
His inspiration pieces together a mosaic of images: a foot here, a face there, limbs emerging from a vortex of lines and colors. Yet amidst this abstract tapestry, banal fragments of reality emerge – slippers, taps, or bowls – grounding his scenes somewhere between artistic space and living space, reality and fantasy.
In Dauood's art, worlds collide, realities intertwine, and the essence of human existence unfolds in a kaleidoscope of vibrant hues and enigmatic forms.
SOLO SHOWS
2020 The Flood - Greith Haus Kultur in Graz - Austria
2019 Gallery V58 - Arthaus - Denmark
2019 Gallery Artemons Contemporary - Linz
2018 The Last Supper – Gallery Artemons Contemporary – Vienna
2018 Kalimat Gallery – Istanbul
2017 Hinterland Gallery – Vienna
2015 Hinterland Gallery – Vienna
2012 Kaire Visions -Amman
2012 Art House- Damascus
COLLECTIVE SHOWS (Selection)
2020 Langdesgalerie Museum (Spuren und Masken der Flucht) - Krems - Austria
2020 Group Exhibition at George Bergès Gallery - New York - USA
2019 British Museum (Publishing Paper Contemporary Drawing from 1970 to Now) London - UK
2019 Summer Group Show - George Bergès Gallery - New York
2019 Art Bodensee by Galerie Galerie. Graz, Hinterland Gallery - Vienna
2019 Art Herning – by Gallery V58 - Denmark.
Shame, 2022, acrylic on canvas, 130 cm x 120 cm (51.2 in x 47.2 in), Mission Art, Beirut.
Lee FREDERIX
Lee Frederix: Navigating the Urban Psyche
Hailing from the post-industrial wastelands of America, Lee Frederix emerges as a beacon of creativity in the vibrant tapestry of Beirut. As both an artist and academic, he traverses the realms of architecture, urbanism, and fine arts, seeking to merge these disciplines through his experimental practice.
In his artwork, Frederix's hybrid background finds expression, manifesting in a mesmerizing fusion of form and concept. Working primarily in three-dimensional media such as assemblage, sculpture, and installation, he crafts immersive experiences that invite viewers into a world of sensory exploration.
Central to Frederix's practice is his meticulous treatment of materials, each chosen for its inherent qualities and potential for transformation. Through subtle juxtapositions, he imbues his creations with a sense of depth and intrigue, inviting viewers to unravel layers of meaning and sensation.
At the heart of his most recent work lies an exploration of alternative mapping practices, inspired by psychogeographic readings of contemporary Beirut. Here, Frederix delves into the urban psyche, uncovering hidden narratives and forgotten histories that shape the city's collective consciousness.
Through his art and research alike, Lee Frederix invites us to reconsider our perceptions of space and place, offering glimpses into the intricate web of connections that define our lived experiences.
EXHIBITIONS (Selection)
2022 State of Things, Gezairi Gallery, LAU, Beirut.
2022 Glimpses of Talent, Urbanist Art, Dubai.
2022 Art to Learn, Art to Live, (catalogued), LAUHQ, New York.
2021 Rethinking our Landscapes of Uncertainty, solo show, Mission Art, Beirut.
2019 October 17, Galerie Janine Rubeiz, Beirut.
2018 20in’18, [catalogued], Sheikh Zayed Gallery, Lebanese American University, Beirut.
2016 7 rooms 7 artists, innov’Action for ArtHouse, Beirut.
2006 XXVII Salon d’Automne, [catalogued], Musée Sursock, Beirut.
2004 XXV Salon d’Automne, [catalogued], Musée Sursock, Beirut.
2003 XXIV Salon d’Automne, [catalogued], Musée Sursock, Beirut.
2002 frederix@monot, [solo show], Expos SDF, Beirut.
Before the Fall, 2019, mixed media on canvas, 100 cm x 100 cm (39.4 in x 39.4 in), Beirut.
Heaven Can Wait, 2015, 80 cm x 182 cm (31.5 in x 71.6 in), mixed media on recycled wood, Beirut.
Synthetic Heirloom 3.2, 2010, 19 cm x 19 cm (7.5 in x 7.5 in), mixed media in recycled wooden box, Beirut.
Serene GHANDOUR سيرين غندور
Brushstrokes of Intimacy
Born into a family of art enthusiasts and musicians in 1996 Beirut, Serene Ghandour's journey as an artist began as a tender spark in her childhood. From an early age, she felt a profound connection to the world of drawing, a passion that would shape her artistic path in the years to come.
In 2007, Serene's talent garnered recognition on an international stage when she participated in the International Child Art Foundation Arts Olympiad, emerging as a co-winner from Lebanon. This early validation only fueled her appetite for artistic expression.
Her formal education at the Lebanese American University further honed her skills, culminating in the prestigious fine arts certificate of excellence in 2018 and a graduation with distinction in 2019. Alongside her academic achievements, Serene's artistic journey has been punctuated by numerous exhibitions, including a notable appearance at the esteemed 33rd Salon D’Automne at the Sursock Museum.
For Serene, painting transcends mere creative expression; it is a deeply intimate dialogue between the artist and the medium. Each brushstroke becomes a moment of self-reflection, self-doubt, self-hatred, self-love, and problem-solving, weaving a tapestry of emotions and experiences onto the canvas.
In the quiet sanctuary of her studio, Serene finds solace and inspiration, allowing her innermost thoughts and feelings to flow freely through her art. Through her work, she invites viewers into this sacred space, offering glimpses into the intricate nuances of her inner world.
Death, 2022, 200 cm x 100 cm (78.7 in x 39.4 in), mixed media on canvas, Mission Art, Beirut.
The First Supper (Without You), 2022, 120 cm x 100 cm (47.2 in x 39.4 in), mixed media on canvas, Mission art, Beirut.
Do Cats Go to Heaven? 2022, 70 cm x 50 cm (27.5 in x 19.6 in), mixed media on canvas, Mission art, Beirut.
Norrem HAMDI نوريم حمدي
Unleashing the Soul on Canvas
Born in 1964 in Hassaka, Syria, Norrem Hamdi's artistic journey has been one of liberation and expression. After initially pursuing Law School, he boldly chose to follow his true passion for art.
Since settling in Berlin, Germany, in 2015, Norrem has carved out a niche for himself in the international art scene. His large-sized paintings, crafted with Indian pigments and acrylic on canvas, stand as bold testaments to his artistic prowess.
Unconventional in his approach, Norrem often eschews traditional tools in favor of using his hands and feet, declaring, "I like to fight in the arena" when explaining his technique. This fearless attitude infuses his work with a raw energy and dynamism.
Norrem's art has been showcased in prestigious venues worldwide, including solo exhibitions at the National Museum Damascus, Goethe Institute Damascus, Museum of Modern Art Lattakia, and Khan Assad Basha Damascus. He has also participated in group exhibitions at renowned institutions such as the World Bank in Washington, the Contemporary Art Platform in Kuwait, and the Kaleemat Sanat Galeri in Istanbul. Notably, he has been featured twice in the prestigious Venice Biennale.
A member of the Association of Professional Artists in Berlin (BBK) and the "Künstlerhof Frohnau," Norrem Hamdi continues to push the boundaries of artistic expression, leaving an indelible mark on the global art landscape.
Untitled, 2023, 115 cm x 130 cm (45.3 in x 50 in), acrylic on canvas, artist’s studio, Berlin
Untitled, 2022, 200 cm x 200 cm (78.7 in x 78.7 in), acrylic on canvas, artist’s studio, Berlin.
Untitled, 2018, 200 cm x 150 cm (78.7 in x 59 in), acrylic on untreated fabric, Mission Art, Beirut.
Salah HREEB صلاح حريب
NThe Architectural Canvases of an Artisan
Born in 1985, this Syrian artist's journey is a testament to the fusion of technical precision and creative vision. Trained in the intricate art of architectural drawing at the Institute of Engineering in 2003, he embarked on a transformative academic odyssey at the University of Kalamoon's Faculty of Architecture.
From 2004 to 2010, he delved deep into the realms of architectural theory and practice, honing his skills and nurturing his innate talent. Armed with a Bachelor of Science degree in Architecture, he emerged as a versatile artist, seamlessly blending the principles of design with the boundless realms of artistic expression.
Today, his canvases serve as architectural masterpieces, each stroke a testament to his unwavering dedication and passion for his craft. Through his art, he invites viewers to embark on a journey of exploration, where the lines between reality and imagination blur, and the beauty of form and function converge in harmony.
COLLECTIVE EXHIBITIONS
2017 Greetings to the spirit of artists: Marwan Kassab Bashi, Nazir Nabea - The National Center for Visual Arts Damascus, Syria
2017 The Artists’ Workshop - The National Center for Visual Arts - Damascus - Syria
2017 Expo 2016 - The National Center for Visual Arts- Damascus - Syria
2016 Mustafa Ali Gallery - Damascus - Syria
SOLO EXHIBITIONS
2023 White Desires - Mission Art - Beirut - Lebanon
2009 The Arab Culture Center in Damascus - Syria
2006 Avec Le Temps – Installation - Position A member in team - Name of designer Arch. Claude Yacoub
2000-2011 Training ( painting and sculpture ) training of many local artists and Art Institutes for 10 years
Untitled, 2022, 150 cm x 200 cm (59 in x 78.7 in), mixed media on canvas, Mission Art, Beirut.
Untitled, 2020, 69 cm x 60 cm (27.2 in x 23.6 in), acrylic on canvas, Mission Art, Beirut.
Untitled, 2022, 100 cm x 200 cm (39.3 in x 78.7 in), acrylic on canvas, Mission Art, Beirut.
Shayma KAMEL شيماء كامل
Illuminating the Paradoxes of Society
In the labyrinthine streets of Giza City, Egypt, Shayma Kamel emerged as a luminary in the world of painting, her brushstrokes capturing the essence of the Egyptian persona with haunting allure. Born in 1980, Shayma's artistic journey defies convention, transcending borders and boundaries as she splits her time between the bustling metropolises of Cairo and Beirut.
While pursuing a BA in Psychology at Ain Shams University, Shayma's passion for art ignited, guiding her towards the canvas as a medium of expression. Her debut solo exhibition in 2004 delved into personal and familial realms, but quickly evolved to confront political and societal issues head-on.
From Bahrain to Switzerland, and from Saudi Arabia to Lebanon, Shayma's art has traversed continents, resonating with audiences worldwide. Yet, it is her raw, unfiltered exploration of women's challenges in Arab societies that forms the heart of her oeuvre.
Despite lacking formal art education, Shayma's large-scale paintings possess a captivating allure, simultaneously haunting and enchanting. It is within this duality that the conceptual backbone of Shayma Kamel's work lies—a potent exploration of the contradictions inherent in contemporary society.
Juxtaposing reality with fantasy, Shayma peels back the layers of societal norms, revealing the stark tension between imported images and the harsh realities of conservative societies. Through her art, she invites viewers to confront these contradictions, challenging perceptions and sparking conversations that transcend borders and cultures.
stability – 2019 – 90cm x 70cm - mixed media on canvas
the spider mother - 2019 - 150 x 200 cm - mixed media on canvas
the golden spirit - 2019 - 150 x 200 cm - acrylic on canvas
Kamiran KHALIL كمران خليل
Echoes of Aleppo: A Syrian Artist's Sojourn in Berlin
Born amidst the ancient alleys of Aleppo in 1986, this Syrian artist's journey is a testament to resilience and artistic passion. Now settled amidst the vibrant streets of Berlin, he continues to weave his creative tapestry, bridging the realms of East and West.
In 2009, he embarked on his artistic odyssey, graduating with a BA in Fine Arts from Damascus University, where he honed his skills and nurtured his innate talent. Armed with a solid foundation, he ventured further into the depths of artistic exploration.
In 2017, he achieved a milestone in his journey, graduating with a Master's degree in Fine Arts from the esteemed University of Fine Arts, UdK – Berlin. Here, amidst the bustling cultural hub of Berlin, he found inspiration and freedom, allowing his creativity to flourish in new and unexpected ways.
Today, his art serves as a poignant reflection of his personnal journey, blending the rich heritage of his homeland with the dynamic energy of his adopted city. Through his work, he invites viewers to embark on a visual journey, where the echoes of Aleppo mingle with the vibrant pulse of Berlin.
SOLO EXHIBITIONS
2022 “Illusion”, Mission Art, Beirut.
2020 Azimut Gallery, Berlin.
2019 “With Illusions”, Lawrence Gallery, Berlin.
2015 Khawatem Art & Jewelry Gallery, Beirut.
2011 Art House Gallery, Damascus.
COLLECTIVE EXHIBITIONS (Selection)
2018 Konsthallen Sandviken, Sweden.
2017 University of Fine Arts Berlin -UdK tour /Rundgang, Berlin.
2016 92 Art Gallery - 1x1 - through Berlin Art Week, Berlin.
Untitled, 2021, 200 cm x 120 cm (78.7 in x 47.2 in), oil on canvas, Mission Art, Beirut.
Untitled, 2021, 200 cm x 100 cm (78.7 in x 39.4 in), oil on canvas, Mission Art, Beirut.
Untitled, 2020, 170 cm x 80 cm (66.9 in x 31.5 in), oil on canvas, Mission Art, Beirut.
Tony MHANNA طوني مهنا
Capturing Life's Essence Through Art and Engineering
Born in the vibrant heart of Beirut in 1993, Tony Mhanna embodies the spirit of exploration and creativity. Graduating as a mechanical engineer from USEK in 2017, Tony's multifaceted talents extend beyond the realm of engineering into the realms of photography and visual art.
With a keen eye for design, shapes, paintings, history, and architecture, Tony's artistic journey began in 2014 when he first delved into the world of photography. Through his lens, he captures the complexities of daily life and societal nuances, infusing each image with his unique perspective and contemporary flair.
Tony's artwork transcends conventional boundaries, exploring themes of evolution, rebirth, and change. His experimentation with space, natural colors, and atmosphere lends his photographs a sense of harmony, energy, and life, radiating with positivity and pleasantness.
In 2019, Tony unveiled "WRAITH" at the Beirut Art Week, a groundbreaking work that seamlessly integrates art and engineering. This wind sculpture, meticulously engineered by Tony, captivated audiences with its fusion of technology and artistry, winning accolades at the BEIRUT ART FAIR 2020 and garnering attention in prestigious exhibitions across Lebanon and Saudi Arabia.
Tony's artistic journey reached new heights with his first solo exhibition at Mission Art in 2023, where "The Wraith" stood as the crowning jewel. As he continues to push the boundaries of creativity, Tony Mhanna remains a beacon of innovation and inspiration in Beirut, Lebanon.
SOLO EXHIBITIONS
2023 “Wraith” - MISSION ART - Beirut -Lebanon
2023 The Holy Spirit University of Kaslik - Archaeological Museum
COLLECTIVE EXHIBITIONS (SELECTION)
2020 BEIRUT ART FAIR
2020 DACHAQ GALLERY, Beirut -Lebanon
2021 ARTSCENE GALLERY, Beirut -Lebanon
2021 VMONO GALLERY, Riyadh - Saudi Arabia
2022 ARTHAUS BEIRUT, Beirut -Lebanon
2024 REBIRTH Gallery - Beirut
Sursock - En pointe, 2023, edition 1/5, 80 x 120 cm (31.5 x 47.2 in), Mission Art, Beirut.
Arabesque, 2019 , edition 1/5, 38.5 x 60 cm (15.1 x 23.6 in), Mission Art, Beirut.
Grande Allegro, 2023, edition 1/5, 80 x 120 cm (31.5 x 47.3 in), Mission Art, Beirut.
Elie RIZKALLAH ايلي رزق الله
Chronicle of Resilience in Art
In the tumultuous backdrop of Deir el Qamar, Lebanon, Elie Rizkallah emerged as a beacon of artistic resilience, born amidst the chaos of the Lebanese Civil War in 1969. Surrounded by the haunting beauty of abandoned buildings, Elie found solace in the strokes of his paintbrush, transforming the ugliness of reality into a canvas of exquisite beauty.
In 1992, he graduated from the Institute of Fine Arts of the Lebanese University, marking the beginning of his illustrious career as a painter. His canvases became a poignant reflection of Lebanon's turbulent history, bearing witness to the scars of war while pulsating with the vibrancy of daily life.
Elie's signature style captured the essence of buildings marred by the wounds of destruction, infusing them with a sense of resilience and vitality unique to his homeland. Simultaneously, his talent caught the eye of interior design firms, leading to prestigious commissions for palace projects in Arab countries, where his freehand perspectives breathed life into architectural dreams.
Since embarking on his artistic journey in 1992, Elie Rizkallah has showcased his work in solo and group exhibitions in Lebanon and France. Each painting is a testament to the indomitable spirit of a nation ravaged by war, yet brimming with hope and resilience.
Through his art, Elie paints not only the physical landscapes of his homeland but also the soul of a people determined to rise from the ashes, forging a new legacy of beauty and strength.
SOLO EXHIBITIONS
1995 – "Memories", Atelier Decoplan, Hamra, Beirut
2012 – "Utopic city", Rochane Gallery, Saife, Beirut
2019 – "Dusk to dawn", Rochane Gallery, Saife, Beirut
2020 – "Beirut in perspective", Agence 360, Paris (France)
2021 – "Beirut in perspective" (2nd version), Aguado Salons, City Hall of the 9th arrondissement, Paris (France)
2022 – "Urbanscape", Beirut Contemporary Gallery, Lisbon (Portugal)
2022 – "Transformations", Mission Art Gallery, Beirut (Lebanon)
GROUP EXHIBITIONS
1992 – Collective exhibition – Palace of Beit Eddine, Chouf
1993 – Collective exhibition – French Institute of Deir el Kamar
2001 – Collective exhibition – "Cedar of Lebanon", Saumur (France)
2019 – Collective exhibition – Beirut Art Fair
2020 – Collective exhibition – "Collective", 392 Rmeil Gallery, Beirut
2021 – Collective exhibition – Mir Amin Palace, Beit Eddine
2022 – Collective exhibition – "A tribute to modernity" Rebirth Beirut Space, Beirut
Le phare de Beyrouth, 2022, 126 cm x 156 cm (49.6 in x 61.4 in), acrylic on canvas, Mission Art, Beirut.
Le Pont de Furn el Chebak, 2020, 108 cm x 117 cm (42.5 in x 46 in), acrylic on canvas, Mission Art, Beirut.
Vue de la Terrasse de Dhalia, 2021, 113 cm x 200 cm (44.5 in x 78.7 in),m acrylic on canvas, mission Art, Beirut.
Rima SALAMOUN ريما سلمون
"Silent Narratives: The Profound Works of Rima Salamoun"
Renowned artist Rima Salamoun, hailing from Damascus, Syria, and born in 1963, emerged from the prestigious halls of the Faculty of Fine Arts at Damascus University in 1987. Embracing membership within the esteemed Syrian Syndicate of Fine Arts, Salamoun's artistic journey has traversed multiple continents, gracing collective exhibitions across the Arab world and Europe alike.
Within her evocative oeuvre, Salamoun masterfully employs acrylic and mixed media to render compositions that are deliberately austere, yet profoundly poignant. Her canvases serve as poignant arenas where sorrow-laden subjects find solace amidst the subdued ambiance of their surroundings. Often placing female protagonists at the forefront, Salamoun taps into a rich vein of Syrian artistic tradition, one that has historically utilized the feminine form as a potent symbol reflecting the collective human experience.
Notably, Salamoun's deliberate choice to shroud her subjects in anonymity serves to amplify the universality of her narratives, inviting viewers to engage with the profound intricacies of global concerns. Through her deft manipulation of medium and evident draughtsmanship prowess, Salamoun beckons audiences into a realm where the weight of human tribulations is palpable, yet ultimately transcendent.
SOLO EXHIBITIONS
2015 “Woman Through the Eyes” - Tajaliyat Gallery - Beirut - Lebanon
2011 Art House Gallery in Damascus, Syria
2009 Art House Gallery in Damascus, Syria
2006 Espace Europa Gallery in Paris, France
COLLECTIVE EXHIBITIONS (Selection)
2008 “Paris-Damascus, Collective Vision” - Institut du Monde Arabe - Paris - France
2007 “3 Figures” Espace Europa Gallery - Paris - France
2005 Syrian Cultural Center - Paris - France
2003 As-Sayyed Art Gallery, Damascus, Syria
2003 Biennale of al-Mahabeh Festival, Lattakia, Syria
2002 "Arabs and the World" Exhibition at Damascus Int'l Fairs, Syria
2000 Albal Art Gallery in Damascus, Jordan
1996 Baladna Art Gallery in Amman, Jordan
Untitled, 2021, 110 cm x 110 cm (43.3 in x 43.3 in), acrylic on canvas, Mission Art, Beirut.
Untitled, 2021, 110 cm x 110 cm (43.3 in x 43.3 in), acrylic on canvas, Mission Art, Beirut.
Untitled, 2021, 58 cm x 42 cm (22.8 in x 16.5 in), ink on paper, Mission Art, Beirut.
Untitled, 2021, 58 cm x 42 cm (22.8 in x 16.5 in), ink on paper, Mission Art, Beirut.
Reem TARRAF ريم طراف
Reem Tarraf, born in 1974 in Homs, Syria, emerged as a creative force from the halls of Damascus Fine Arts University, graduating with honors in 1998 with a specialization in graphic design. Continuing her pursuit of artistic excellence, she furthered her education, obtaining a master's degree in 2000. With a rich background in graphic design, coupled with a passion for children's illustration and educational programs, Tarraf's artistic journey has been marked by versatility and depth.
Transitioning into a full-time artist in 2016, Tarraf's dedication to her craft has been unwavering, evident in the mastery she brings to her work. Her artistic prowess has been showcased on an international stage, with her participation in collective exhibitions spanning across Canada, the UAE, and the USA.
Tarraf's oeuvre stands as a testament to her diverse skill set and unwavering commitment to artistic expression, offering viewers a glimpse into her multifaceted artistic vision.
SOLO EXHIBITIONS
2022 “Moment of Peace” - Mission Art - Beirut - Lebanon
2019 Art House Gallery - Damascus - Syria
2004 SyrianCultural Center - Paris - France
Untitled, 2022, 120 cm x 180 cm (47.2 in x 70.8 in), mixed media on canvas, Mission Art, Beirut.
Untitled, 2022, 130 cm x 190 cm (51.2 in x 74.8 in), mixed media on canvas, Mission Art, Beirut.
Untitled, 209, 120 cm x 120 cm (47.2 in x 47.2 in), acrylic on canvas, Mission Art, Beirut.
Mona TRAD DABAJI منى طراد دبجي
"Unveiling Lebanon: The Artistic Odyssey of Mona Trad Dabaji"
”Mona Trad Dabaji's artistic journey began amidst the tumultuous backdrop of Lebanon's civil war, a pivotal period that coincided with her graduation from the American University of Beirut in 1975. Despite the challenges of her surroundings, she has remained steadfast in her commitment to her craft, establishing herself as a prominent figure in Beirut's artistic landscape.
For over three decades, Dabaji has not only honed her skills as a painter but has also imparted her knowledge to aspiring artists as a dedicated painting instructor since 1993. Her influence extends far beyond the classroom, as she continues to shape the artistic discourse of her community.
Dabaji's artistic footprint spans across continents, with exhibitions in Lebanon, France, Jordan, the USA, and the UAE, each showcasing her unwavering dedication to portraying the essence of her homeland. A significant milestone in her career came in 1992 with her seminal exhibition, "Beyrouth, ville fantôme" (Beirut, The Phantom City), capturing the haunting reality of Beirut's shattered city center.
Throughout her prolific career, Dabaji's work has remained deeply rooted in her Lebanese heritage, with a particular focus on its traditions and culture. Through her evocative portrayals of Lebanese women, she deftly captures the multifaceted and complex nature of her homeland's identity.
In a poignant gesture of resilience, Dabaji incorporates salvaged doors and windows from demolition sites into her artworks, infusing them with new life and meaning. This symbolic act serves as a testament to her determination to reclaim and preserve the heritage of a nation ravaged by conflict.
Her 2008 exhibition, "My Land is Not for Sale," further underscores her unwavering allegiance to Lebanon and her resolute stance against the destructive forces that threaten its existence. Through her art, Dabaji continues to advocate for the preservation of Lebanon's cultural heritage and the enduring spirit of its people, ensuring that the echoes of war are not allowed to drown out the voices of resilience and hope.
Femme à l’Oiseau, 2023, oil on canvas, 60 cm x 60 cm (23.6 in x 23.6 in), Mission Art, Beirut
Femme au Coq, 2023, oil on canvas, 70 cm x 70 cm (27.5 in x 27.5 in), Mission Art, Beirut
Femme à l’Oiseau, 2023, oil on canvas, 120 cm x 60 cm (47.2 in x 23.6 in), Mission Art, Beirut
Omran YOUNIS عمران يونس
"Insights into Humanity: The Artistic Journey of Omran Younis
"Omran Younis, a native of Al-Hasakah, Syria, born in 1971, stands as a prominent figure in the contemporary Arab art scene. Residing and creating in Damascus, Syria, Younis embarked on his artistic journey in the late 1990s, following his graduation from the esteemed Faculty of Fine Arts in Damascus in 1998. His pursuit of artistic excellence led him to further academic endeavors, culminating in the attainment of a Master's degree in Fine Arts in 2000.
Younis's impact on the art world has been far-reaching, with his works featured in exhibitions across the Middle East and the United States. His artistic prowess has garnered recognition, including the prestigious first prize in the 3rd Annual Youth Competition in Damascus, solidifying his position as a distinguished artist within his field.
Characterized by their expansive scale, Younis's canvases serve as immersive explorations into the intricacies of the human condition. Through meticulous attention to detail, he delves into the depths of his subjects, capturing the nuances of human experience with a profound sense of insight and empathy.
Throughout his career, Younis has demonstrated a remarkable versatility, continuously pushing the boundaries of expressionist painting. Each series of his work is dedicated to a specific theme, showcasing his ongoing experimentation and evolution as an artist.
Emerging within the context of Syrian modernism, Younis has emerged as a torchbearer for his artistic heritage while forging his own distinctive path in the realm of contemporary art. His paintings serve as a potent blend of bold social commentary, keen observation, and technical mastery, reflecting his unwavering commitment to artistic innovation and expression.
SOLO EXHIBITIONS (Selection)
2021 “Cactus Story” - Mission Art Gallery - Beirut - Lebanon
2014 “Human”, Zara Gallery, Amman - Jordan
2010 Ayyam Gallery - Beirut - Lebanon
COLLECTIVE EXHIBITIONS (Selection)
2023 “Works on Paper” Fann a Porter - Dubai - UAE
2022 Syrian Pavillion at the Venice Biennale, Venice - Italy
Untitled, 2021, 120 cm x 229 cm (47.2 in x 90.1 in), mixed media on canvas, Mission Art, Beirut.
Untitled, 2022, 130 cm x 155 cm (51.2 in x 61 in), mixed media on canvas, Mission Art, Beirut.